Conscious Control Submissions - 3.07

Vol. 1 - No. 1 Spring 2007 - No. 2 Autumn 2007
No. 1
Published 3 April 2007. Circulation: 246 (as of publication date).
Acceptance rate: 75%. 96 pages. B/w illustrations.
The Alexander Technique in the training of actors by Steven Hallmark
Through examples of how the Technique can be applied to acting, the author argues that basic chair and table work in the Technique provides the acting student with the essential fundamentals for all forms of acting. He relates how the Technique informed his own acting studies in 1973, and he describes some of the exercises he used for acting students in Stockholm in 1993-99. These exercises include work in communicating basic movement intentions, improvisation work, Stanislavski work, voice work, mask work, and clown work. The article introduces the Alexander Technique.

Flecto-sapiens-orials by Christine Ackers
In suggesting another name for homo sapiens the author is arguing that bending is more characteristic of - and important to - humans than realised. An awareness of the freedom we have in bending compared with many animals might make us appreciate and utilise this special skill better. Bending with good use requires freedom of the joints, which in turn requires good co-ordination of the whole musculature. Freedom is achieved by “unbending”, i.e. an extension in which lengthening of the musculature can take place. The article introduces the Alexander Technique.

Looking both ways by Polly Waterfield
This article looks back on recent training while looking ahead to the development of a teaching style. The starting point is the fact that Alexander teaching is based on our responses to being taught, and that therefore reflecting on one’s own learning experience is an important part of becoming a teacher. In reflecting on the difficulties the author encountered in learning, she discusses the nature of primary control, means and ends, habit, direction and inhibition, faulty sensory appreciation, use and function, and psychophysical unity.

Reflections on the “Opinion survey on voluntary self-regulation” by Walter Carrington
In the Spring of 2005 STAT sent out a survey to its members with the single question: “Do you think that STAT should continue to participate in the work of the Alexander Technique Voluntary Self-Regulation Group?” In arguing that the ATVSRG is unable to fulfil some of its purposes, Carrington addresses two issues. First, he is arguing that teachers’ primary source of work will arise from their own application of the Technique. Second, he argues that the Technique will not achieve universal recognition because of any verbal exposition, and that recognition will come only from individuals who have practical experience of the Technique.

Two interviews with Walter Carrington by Hidemi Hatada
The questions for these interviews were submitted by readers of STATNews in response to a request by Hidemi Hatada. She has added questions of her own. The first interview covers mainly individual teaching issues such as direction, inhibition, ordering, teaching in groups, and teaching children. The second interview deals primarily with teacher training issues such as Alexander’s training course and the development of the structure of the Carringtons’ training course. Both interviews discuss lying-down work.

Book reviews
"
Posture, Poise and Positive Health" by Dr Grahame Fagg - Reviewed by Jean M. O. Fischer

Behind the chair: Great advertising campaigns (that never were)


No. 2
Published 7 November 2007. Circulation: 156 (as of publication date).
Acceptance rate: 45%. 96 pages. B/w illustrations.

Teaching F. M. Alexander’s technique in a boys’ preparatory boarding school 1936-39 by Gurney MacInnes
These three reports relates MacInnes’s teaching experience of the Technique at Weymouth College. He had trained with F. M. Alexander 1931-34 with the purpose of teaching the Technique in schools. The experimental project was to investigate to what extent the Technique could be introduced into the life and work of a school. MacInnes mostly gave private lessons, starting with the Junior School, ages 8 1/2 to 10. His account covers the structure and development of the project, and the progress pupils made, including individual case histories. He sums up his experiences (conditions) for making the Technique part of school education.

1600 and all that by Terry Fitzgerald
In this extract from his doctoral thesis, Fitzgerald critiques the practice of use of mandatory time-specific protocols (as characterised by the 1600-hour rule), a practice which governs most Alexander Technique (AT) teacher education. Fitzgerald approaches this critique from educational and historical directions. The educational analysis draws on the AT literature as well as contemporary educational scholars sympathetic to what is being called “the emerging paradigm of learning”. The historical analysis is informed by 20th century accounts of both AT and school teacher education. The author argues that time-specific teacher education is antithetical to Alexander’s holistic principles. This article won the second prize in the 2007 Mouritz Award for writing on the Alexander Technique.

Touching the heart by Missy Vineyard
This extract from the author’s book How you stand, how you sit, how you live (2007) discusses the importance and significance of touch. She considers the origin of touch, and the importance of touch for the development and health of both animals and humans. Touch functions as a way of communication, and is perhaps a necessary foundation for our sense of meaning. Touch is undervalued in modern life and the positive effects of touch are unappreciated. Because of their interconnectedness it is suggested that the sensory systems of touch and bodily sensation could be viewed as one sensory system and termed “the sense of feeling”. The role and purpose of touch in teaching the Alexander Technique is explored.

Vera Cavling – A portrait of a life with the Alexander Technique by Jean M. O. Fischer
Vera Cavling had lessons with F. M. Alexander in 1948 and subsequently trained as a teacher, starting with the Barlows in 1950 and finishing with the Carringtons in 1964. This portrait, based on interviews, recounts her experiences with the Technique, both as a pupil and as a teacher.

Book reviews
"How you stand, how you sit, how you live" by Missy Vineyard - Reviewed by Jean M. O. Fischer

Behind the chair
Alexander Technique fashionista - 1



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